Friday, June 14, 2024

Art Sons and Daughters

 

 
Art Sons and Daughters, Gerdeman, 2020
   


By Andy Downing for MatterNews. 

When Larry Doyle started at Hilliard Davidson High School in the early 2000s, he said he felt completely lost. 

As a freshman, he experimented with theater and played in a couple of shitty bands (his words), but he struggled to find something to which he felt a real connection. Then in his sophomore year, Doyle talked his way into the Drawing 3 class taught by Dan Gerdeman, which afforded him the opportunity to study alongside an instructor with a gift for instilling in his students a desire to seek out their passions – whatever those might be.

“He makes you want to chase it, to find what makes you happy and do that,” Doyle said. “He really found that passion and direction in people that they didn’t really know, and that I didn’t really know. And he was just like, ‘Keep doing this. Now what if you did this? And this?’ And there were so many ideas and constant support and just so much love from him.”

Artist Daniel Rona, who took his first class with Gerdeman around 2014, expressed similar sentiments, adding that the teacher’s supportive nature extended even beyond those who took an interest in more creative pursuits. “It wasn’t an art-centered thing, and it applied to multiple other students, too,” said Rona, who received his first set of paints from the man he now lovingly calls “Gerdie.” “If you’re doing something interesting and you believe in yourself, he was going to put his foot behind you.”

Jeffrey Knick said this commitment generally went hand in hand with an expectation that you would give it your all in return. “And Dan, if I was not doing my best, he would just give me a look. And it was just one of those things where I knew he knew,” the artist said.

In the 24 years Gerdeman taught at Hilliard Davidson, myriad Columbus creatives logged time in his classroom, absorbing these lessons to varying degrees. (Gerdeman left Hilliard Davidson at the end of the 2023 school year to teach kindergarten at J.W. Reason Elementary School and he’s set to retire from the classroom entirely when school ends this week.) These include photographer Kate Sweeney, musician Sam Corlett and painter Cassidy Boyuk, among countless others, all of whom are part of a many-branched family tree that Gerdeman referred to as his “art sons and daughters.” A small fraction of these will exhibit alongside the instructor in a new group show fittingly titled “Art Sons & Daughters” and opening at the Hilliard Civic and Cultural Arts Center on Saturday, June 1.


Planting Seeds. Gerdeman 2024

“I’ve always thought about doing a show with my former art students,” said Gerdeman, who joined Rona, Doyle, Knick and illustrator Layla Ayoub at the Cultural Arts Center for a late May interview. “It’s a really nice chance to end my teaching career and to show with these guys. … They all floored me when I had them in class, and they just continue to do so.”

Gerdeman has exhibited alongside Rona in the past, but for this show his work appears next to diverse contributions from 15 former students working in photography, illustration, oil painting, acrylics and more. But while all of the displaying artists were in some way sparked by their experiences in Gerdeman’s classroom, each has developed a unique voice generally far removed from the teacher’s distinctive style. “I just want them to make stuff that’s theirs,” Gerdeman said. “And that’s been my pitch from day one: Make things that are yours. Find who you are. Build skills.”

In all of the pieces on display, Gerdeman said he can still see echoes of who each artist was as a younger student — even if their technical skills have greatly advanced in the years since. 

Knick was a “badass portrait artist in high school,” Gerdeman said, and his ability to render an image realistically has carried over into the landscape and architectural paintings that have more recently become a focus. Doyle, who contributed an ethereal, neon-hued painting of an amorphous creature to the exhibit, debuted similar characters in high school, even painting one on a ceiling tile in Gerdeman’s classroom. “It was the earliest incarnation of his work,” said Gerdeman, who continued to use the tile as an example for his students in the years after Doyle graduated. “But when you look at [the tile] and then you look at the work he has in the show, you can really see the genesis of something taking place.”

Gerdeman said similar things of Ayoub, who in high school created slice-of-life illustrations that reflected her inner world – an interest the recent CCAD grad continued to refine in her college years. 

“There was a way of putting parts of yourself that people don’t know into your work without having to talk about that inner world,” said Ayoub, who described herself as more reserved at the time she first crossed paths with Gerdeman, the instructor challenging her to put more of herself on the page. “It always felt like self-expression was the biggest thing he was pushing. He didn’t necessarily care about proper technique or how refined something was. He just wanted you to create, to really go for it.”

Taking in the surrounding artwork, Gerdeman was struck by the number of students who had continued to apply lessons learned in his classroom, briefly choking up as he tried to put the exhibition into perspective. 

“When I started teaching, I was worried about leaving a legacy. And I know now what my legacy is and has been and will continue to be,” he said. “Seeing this [show come together], it’s really life affirming.”

Saturday, February 03, 2024

Visual Healing

 Visual Healing. June 2023 McConnell Art Center, Worthington Ohio.

A year of Crows.  Acrylic on Panel. 2023.

When my dear Mom passed, my friend Jean said it would be a solid year of grieving. I have lost  family and close friends, but never imaginable, the loss of my first real angel.   It was a solid year.  Throw in the pandemic and the realization that our teen children were about to leave the nest was borderline debilitating.  Grief presented itself in puzzling manners. The notion of time was suspended, unreal.


Loss was a negative force in my life. It was crushing.  I was an insufficient dad,  husband, teacher and  friend. I stopped making thoughtful artwork.


Emerging from losing her  was  a gradual return from darkness.  Some happier thoughts and big ideas.  Maybe a return to a decent dad, friend, and husband.  


The work for this show is my journey through the last two years.  Stories about mortality, spirituality,  and stressors.  Coming to terms  with loss and change, and  rebounding.

Gerdeman Learns to go with the Tide the.     Article Matter News Interview


One Solid year. 2023 Acrylic on Panel  sold
Leaving the Nest. 2023 Acrylic on Panel
Don't Touch me I'm Broken. 2023 Acrylic on Panel
Starboy(Son of God?) 2023 Acrylic on Panel

Home is Everything. 2023 Acrylic on Panel Sold
Left of the Dial. 2022. Acrylic and Gouache on Panel

A Piece of Steak(the Comeback)After Jack London. 2023 Acrylic on Panel

The Belly of the Beast. 2023 Acrylic on Panel
Sell my soul. 2023 Acrylic on Panel
Crowd Anxiety. 2023 Acrylic on Panel



















El Destructos Atomic Circus


 

El Destructo's Atomic Circus

Why don't we like the things we don't like.  2023. Acrylic on Canvas

El Destructo’s Atomic Circus

Opening July 14 at Secret Studios, Columbus Ohio. Through August.

From a young age, I was mesmerized by the idea of being in a circus. My grandfather bragged about being a roustabout for Clyde Beatty Circus in the 1930s and all the adventures he had. Also, once a year small traveling circuses would come to my village. They would unload a circus train full of wild animals, trapeze artists and clowns on a vacant lot on the south side of town. There was magic, mystery, and wonder in these one-ring circuses. The idea that I could run away and belong to one of these menageries was enticing.

Even at a young age, I sensed that something was not quite right. When I saw Browning’s Freaks(1932) and Goulding’s Nightmare Alley(1948) with the VHS boom in the 1980s, my inclinations were realized. There was a seedy, dirty underbelly in these traveling shows. The circus crew tended to be wayward people just staying ahead of what ever they were running from. In 1984 a crew of carnies attempted to steal my buddy Lenny’s car after a night at the bars. My grandfather’s hubris also came to light. He was a conniver, a liar, and an abuser. The spectacle of a circus life and adventure crumbled.

El Destructo’s Atomic Circus is my coming to terms with the wonders of being a child and the realization that so much of the mystery is a facade full of anti-truths and exaggerations. There is a darkness in each of these pieces, but also childlike wonder. We all have personal circuses that we ringlead and manage. This is my circus.


Signage for show.

Circus Fire Truck 2022. Acrylic on Panel

Circus Fire. 2022 Acrylic on Panel
Mea Culpa 2023 Acrylic on Panel. Sold

The Imposter Syndrome.  2023 Acrylic on Panel

Sell my Soul. 2023 Acrylic on Panel

WienerHat. 2023 Acrylic on Panel


Stop Worrying about your art. 2023 Sold

Live, Laugh, Lobotomy. 2023. Acrylic on Panel

Live and let Live(is dead) 2023 Acrylic on Canvas.